“Selling Kabul” is a challenging piece of theater, one that offers us the opportunity to get beyond the political buzzwords and into the lives of people affected by the actions of American policies. The performance’s quality is a credit to the actors.
–Alex Hanson, Valley News
Geva’s production of “Cinderella” is well cast, from Arvia’s maternal Marie to Ho’okano’s gallant Prince Topher, but Sims’ Ella certainly steals the show, bringing grace, kindness, and curiosity to the classic fairytale princess. The diversity of Geva’s “Cinderella” cast is also a welcoming breath of fresh air. “Cinderella” makes for a magical night at the theatre, and is a treat for the whole family.
-Colin Fleming-Stumpf, Broadway World
This accomplished production of Queens Girl in the World is a thoughtfully entertaining showcase for Caleen Sinnette Jennings’ affective writing and Felicia Curry’s acting talents.
–Theater Scene
If you are a fan of Shakespeare, then you don’t want to miss this clever and creative production of Measure for Measure. There isn’t a finer ensemble of actors working right now in any production in our area.
–Keith Waits, Broadway World
The Alabama Shakespeare Festival’s adaptation of “Cabaret” is a total triumph. The cast, the music, the choreography, the costumes, the staging are superb. Musical performances range from very good to sublime.
–Rick Harmon, Montgomery Advertiser
Northern Stage’s production of “The Play That Goes Wrong” offers a pure escape. The acting on that set is uniformly terrific. I could go on about the cast, but suffice it to say that the production rests on their persistence. And sometimes, it entertains so thoroughly that you forget everything but the present spectacle.
–Alex Hanson, Valley News
“Twelfth Night” is all-around one of the best OSF productions I’ve ever seen thanks to its fabulous cast.
–Beti Webb Trauth- Times Standard
The Alabama Shakespeare Festival’s current adaptation of “A Midsummer Night’s Dream,” manages to be a funny comedy that is both different from and true to the original. The cast does a wonderful job of making Shakespeare’s dialogue both understandable and funny. Lytle, the bad actor who sees himself as the star, Ben Cherry as the hapless organizer of the horrible acting company, and Bonenfant as a surprisingly stately Puck are standouts among the universally excellent cast.
–Rick Harmon, Montgomery Advertiser
The Abingdon Theatre Company’s ambitious production of Elizabeth Coplan’s ‘Til Death is a tale of one families reckoning with the end of life of its matriarch. This ensemble cast shines!
–Alex Yarde, the Good Men Project
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